This is the first straight-up example of I-IV-V we’ve seen so far after all the buildup. This chord progression is Buck Owen’s “I’ve Got A Tiger By The Tail” in C major: If you wanted to add other chords to this progression, a good start would be to use some of the notes in the scale (G – A – B – C – D – E – F#). G major scale: G – A – B – C – D – E – F#Īs you can see, all the notes in each of these chords use in one way or another 3-4 notes from the G major scale.Įvery single major key will have one dominant 7th chord that naturally occurs.Let’s break the G major scale down for reference: When you understand key signatures and how they helps find the chords that are often used together, it’s easy to see how this and many other chord progressions work. You should recognize and know most of these chords if you’ve been playing for a while.Īll of them can be played using open chord shapes, so you’ll definitely have room to improvise and add your own phrasing to it. One good example of a song that uses this progression is “He Stopped Loving Her Today” by George Jones: This number of bars is the standard for many chord progressions in this genre and also even on many pop songs. If you notice, lots of country progressions will be spread out in 8 or 12 bars. In the key of G major for example, it would leave you with: This chord progression can be heard in many popular country songs out there. This is especially important with the A and D major chords, which you can use to add more of your personal style to it. You can play this progression in multiple guitar fretboard positions, but the simplest way would just be to use as many open chords as possible. Just so that you can have a better idea, let’s take a listen to it on YouTube:Īn easier way to see this whole chord progression is to look at it as an I-IV progression with two other chords adding depth to it.įor those of you that love tabs, here’s what this country chord progression would look like that way: That is, to take any 7th chord, raise the root by a half step, and use it exactly as you would any other 7th chord.ĭefinitely not an easy chord to start using, but the others are much easier if you understand the harmonic system being used. On other occasions, you might have heard about diminished chords but this is one of the most basic uses right here. The A# and G notes add just enough tension while not going too far outside of the key. A major scale: A – B – C# – D – E – F# – G#.If we take a closer look at it, it would look something like this: The A#dim7 chord works in this context because it’s only a note away from an A7 chord. What’s fascinating about this chord progression is how it adds some subtle sophistication to a pretty basic progression, while also being enormously enjoyable to play and hear. The first country chord progression that we’re going to take a look at comes from Garth Brooks’s “Friends In Low Places” in A major. (I – VII) – VI7 – (ii – iimaj7) – ii7 – V7 – V7 – (I – bIIdim) – (ii7 – V7 – Vaug7)Ĭountry Chord Progressions I – bIIdim7 – ii7 – IV.
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